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The success of the holistic approach is made evident in Sall’s glowing Instagrams. Her one skin-care item that’s nonnegotiable, she says, is SPF. Her current go-to is Fenty’s Hydra Vizor Moisturizer. “Because of its rich formula, a little bit goes a long way,” she notes. “It also doesn’t leave the dreaded white cast. In fact, it adds a nice glow to your skin.” The formula nourishes and protects with ingredients like Kalahari melon, which is rich in antioxidants; niacinamide, to fade dark spots; and a blend of hyaluronic acid and aloe to hydrate and soothe skin. “I feel most beautiful when my skin is natural,” Sall says. “I love the way my features reflect and catch light, and this comes through especially when my skin is fresh and moisturized.”
“It takes a long time to get to be a diva,” Diana Ross once said. “I mean, you gotta work at it.” True to her own mantra, the queen of Motown, who turns 77 today, has been doing just that throughout her career with equal parts directional hair and makeup. While attending high school, Detroit-born-and-bred Ross enrolled in cosmetology school, practicing hairstyles on herself as well as taking neighbors as clients. But it was when she became the lead singer of The Supremes that Ross’s look—her coif and thick lashes especially—reached new heights. “My mom does all her own hair and makeup, and always has,” explains Tracee Ellis Ross. “Eyelashes, the whole deal—she does it herself.”
In the ’60s, the charismatic frontwoman whipped through a mesmerizing lineup of looks, from a curvy, chin-grazing bob accented by kittenish flicks and heavy fringe to a towering, teased-to-there bouffant with cut-crease smoky eyes and pale lips. And by 1970, striking out on her own with her first solo album Reach Out and Touch (Somebody’s Hand) and number one single “Ain’t No Mountain High Enough,” Ross began flexing her cloud of natural curls. With her the-bigger-the-better hair, either let down or tied back and topped off with an ornamental chapeau, iridescent eyes, and glossy lips, Ross perpetually brought drama to the stage, helping usher in the disco era. 1975’s Mahogany, in which she starred as rising fashion designer Tracy Chambers, was one standout, featuring her silky soprano vocals, theatrical costumes she designed herself, and that petrol blue Afro. Releasing perennial dance floor favorite “I’m Coming Out” in 1980, Ross continued to not only up the ante on the volume of her mane, but embraced the decade’s trendy saturated lids and draped blush to dramatic effect. And since then, the icon hasn’t stopped unleashing her inner diva. Not for a second. Here, a look at Ross’s standout beauty moments.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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